Effect of DDT on the Environment

Effect of DDT on the Environment Effect of DDT to This Environment Pesticides became a bad forebode in agriculture since mid-twentieth century. In agriculture, pesticides are an important element to control the major vector-borne diseases such as malaria and visceral leishmaniasis. There are 4 major groups of pesticides: insecticides, rodenticides, herbicides and fungicides. Although pesticides are vital to protect the crop and also human health in the whole world, but due to their detrimental effects on natural ecosystems more deaths are cause by the pesticide poisoning than infectious diseases. Hence, we should focus more on the short and long term harms of pesticides on the environment. Most of the pesticides are highly toxic and will have immediate adverse effects on human health and also wildlife. Besides that, pesticides which spray on the plant at ground will easily contaminate the soil, water and air. The chronic consequences cause by pesticide including neurotoxic, carcinogenic, immunotoxic, hormonal and reproductive effects. One of the hig hly problematic pesticides is the insecticide dichlorodiphenlytrichoroethane also known as DDT. 1,1,1-trichloro-2,2-bis-(p-chlorophenyl)ethane is the scientific name of DDT and the chemical formula is C14H9Cl5. DDT is build up by 14 carbon, 9 hydrogen and 5 chlorine atoms (Figure 1). Figure 1. Molecular structure of DDT. In its nature form, DDT is crystalline powder with odorless to slightly fragrant in white color. The melting point is at 108.5ËÅ ¡C, and boiling point at 185ËÅ ¡C. DDT is highly insoluble in water but is soluble in most organic solvents. This molecule is lipophilic and partitions readily into the fat of all living organisms. Biomagnification and bioaccumulation in the food web make this molecule become more negative impact to the organisms. When the DDT break down the product will be 1,1-dichloro-2,2-bis(4-chlorophenyl)ethane (DDD or TDE) and 1,1-dichloro-2,2bis(4-chlorophenyl)ethylene)(DDE). These two compounds are actually also present everywhere in the environment and are more persistent than the parent compound (Ritter, Solomon, Forget, 1996). DDT is an organochlorine insecticide and is considered a persistent organic pollutant (POP) (PAN Germany for PAN International, 2009). According to Turusov et al. (2002), in year 1874, DDT was first synthesized but until year 1943 its insecticidal properties just discovered and in 1943 large-scale industrial production are started. DDT is contributed to worldwide use and widely accepted by people because of its low price and effectiveness to control malaria and typhus during and immediately after World War II. In order to control the agriculture and forest pests, much more DDT was used after 1945. About 400,000 tons of DDTs were used yearly in this world at 1960s, and 70 – 80% was used for agriculture (Turusov et al., 2002). DDT is a persistent, widespread environmental contaminant that causes significant anatomical, behavioral abnormalities and physiological in humans and also wildlife (Iwaniuk, et al., 2006). In January 1970, the first country – Sweden had banned the use of DDT. In the same year, the former Union of Soviet Socialist Republics (U.S.S.R) was prohibited all DDT and DDT-based products for use as pesticides because of their destruction and persistence effect by bioaccumulation and the carcinogenicity. The production and use of DDT in agriculture were banned too in 1981, but the use for public health purposed was still allowed. In year 1972, most uses of DDT were banned in other countries. The use of DDT has been banned in 34 countries and severely restricted in 34 other countries. Argentina, Australia, Bulgaria, Canada, Colombia, Cyprus, Ethiopia, Finland, Hong Kong, Japan, Mozambique, Lebanon, Switzerland, Norway, and USA are the countries that have banned DDT. The countries that have severely restricted its use include Thailand, Israel, Panama, Kenya, Mexico, Belize, India, Ecuador and the EU (Ritter, Solomon, Forget, 1996). DDT is not very strong toxic like most of the organochlorine insecticides, but this chemical is widely use and spread (Ritter, Solomon, Forget, 1996). In Turusov et al. (2001) study showed that the process of biodegradation of this chemical is very slow and it will persists for a long time in the environment. DDT will likely to accumulate in the food chain and in the tissues of living organisms. When expose to DDT and digest it, this molecule will store in all the tissues, especially in fat. Bioaccumulation occurred by accumulate the DDT from small concentration to high concentration in the food web. Due to it widespread, uncontrolled, and intensive use, this chemical has resulted in worldwide pollution. In the body of all birds and fishes analyzed in the study of Turusov et al. (2001), DDT residues are found even in those living in desert areas or in the depths of the oceans. Human are most likely to be exposed to DDT from the food they eat. Almost all the meat, fish, and dairy products are contaminating with DDT. Hence, by eating, breathing or touching the products which contaminated with DDT, this chemical will easily absorbed into our body. After ingested, DDT will convert into several breakdown products called metabolites that included DDE and stored in the fatty tissues. For the pregnant women, DDT and DDE can be passed to the fetus by breast feeding (Centers for Disease Control and Preventation, 2009). If human expose to high concentration of DDT, the symptoms like vomiting, tremors or shakiness, and seizures will occur. Besides that, DDT also considered a possible human carcinogen. Birds usually played a major role in creating awareness of pollution problems. Birds are most probably believed to expose to DDT by ingestion (Enrlich, et al. 1988). The pesticide can be swallowing by the birds directly or the birds eat the contaminated prey. Besides that, they may also ingest pesticide residues off feathers while preening, or they may drink or bathe in contaminated water. When the birds expose to aerially spread DDT, the chemical will absorbed through the skin or inhaled into the body (Edwards, 2004). DDT and DDE are persistent as they tend to concentrate as they move through the food chain (Figure 2). In the marine communities, the contaminated planktons are eaten by small fishes, and then bigger fishes will consume small fishes. DDTs are passing from a small concentration in planktons to bigger fish. DDT will store in the fatty acid of fishes, when fish-eating birds consume the fish, all the bio accumulated DDT will pass into the bird’s body. Most of the DD T from numerous fishes ends up in the body of few birds. Bioaccumulation of DDT in birds high on food chains occurs not only because there is usually reduced biomass at each step in those chains, but also because predatory birds tend to live a long time. DDT take in only a little per day, but when they keep most of what they get and they live many days (Deinlein, n.d.). Figure 2. Bioaccumulation of DDT. DDT with high concentration does not usually kill the bird outright. However, DDT and its relatives will alter the bird’s calcium metabolism in a way that results in thin eggshells (Edwards, 2004). Since the eggshells are too thin and are unable to support the weight of the embryo of bird, heavily DDT-infested Brown Pelicans and Bald Eagles tend to find omelets in their nests. DDT resulted in the decimation of the Brown Pelican populations in much of North America and the extermination the Peregrine Falcon in the eastern United States and southeastern Canada. Shell-thinning caused lesser declines in populations of Golden and Bald Eagles and White Pelicans, among others (Enrlich, et al. 1988). Fortunately, the scientists are able to figure out the cause of the breeding failures in time, and the use of DDT was banned almost completely in the US at 1972. The Arctic, polar bears also become one of the victims of DDT. Chemical pollutants are carried towards the Arctic Ocean by the great continental rivers of Russia and Canada. DDT that in the sea are wafted northwards by the currents. Even the DDT molecule in the air will be carry by winds to the Arctic, where they condense in the cold and fall to the ground in snow or hail. The most direct and effective way to bring DDT that will cause an effect to polar bear and its offspring is biomagnification. DDTs are biomagnify as they move up the food chain from the small plankton to polar bear. As polar bear is the carnivores, it accumulates the most concentrated amounts of them. Before the hibernation, polar bear will consume large amount of fish to store as fat. DDT which accumulates in the fish will then store in the fatty tissues. When the polar bear start to use the fat during hibernation, DDT is being release and causes the death. In addition, DDT will also reduce the polar bear capacity to bread and lower their immune system (Polar bears: Walking on thin ice, 2006). The available epidemiologic and scientific data indicate that the presence and persistence of DDT and its metabolites worldwide are still problems of great relevance to public health. It has been debated at the United Nations Environment Program whether DDT should have been totally banned together with 11 other persistent organic pollutants. However, the total ban of DDT was sharply criticized in South Africa. This is because, a temporary total ban on the use of DDT for indoor spraying resulted in a sudden increase in malaria. Now, 11 countries in Africa, 7 in Asia, and 5 in Latin America still use DDT for vector disease control (Turusov et al., 2002). There is a general consensus that limited and strictly controlled use of DDT should be allowed for public health purposes, in particular where other effective, safe, and affordable alternatives are not available, and the benefits are clearly far superior to possible risks. In conclusion, to solve the problem of DDT an efficient pestici des that do not have the negative properties of DDT and its metabolites should be sought with the goal of replacing DDT completely. References Centers for Disease Control and Preventation (CDC), (2009). Retrieved from http://www.cdc.gov/biomonitoring/pdf/DDT_FactSheet.pdf Deinlein, M. (n.d.). Smithsonian Migratory Bird Center. When it comes to pesticides, birds are sitting ducks. Retrieved from http://nationalzoo.si.edu/scbi/migratorybirds/fact_sheets/fxsht8.pdf Edwards, J. G. (2004). DDT: A case study in scientific fraud. Journal of American Physicians and Surgeons, 9, 3, 83-88. Ehrlich, P. R., Dobkin, D. S., Wheye, D. (1988). DDT and birds. Retrieved from https://web.stanford.edu/group/stanfordbirds/text/essays/DDT_and_Birds.html Iwaniuk, A. N., Koperski, D. T., Cheng, K. M., Elliott, J. E., Smith, L. K., †¦, Wylie, D. R. W. (2006). The effects of environmental exposure to DDT on the brain of a songbird: Changes in structures associated with mating and song. Behavioural BrainResearch, 173, 1-10. Polar bears: Walking on thin ice. (2006). Retrieved from http://www.independent.co.uk/environment/polar-bears-walking-on-thin-ice-523207.html Ritter, L., Solomon, K. R., Forget, J. (1996). Persistent organic pollutants. Retrieved from http://www.chem.unep.ch/pops/ritter/en/ritteren.pdf Turusov, V., Rakitsky, V. Tomatis, L. (2002). DIchlorodiphenytrichloroethane (DDT): Ubiquity, persistence, and risks. Environmental Health Perspectives, 110, 2, 125-128.

The Da Vinci Code Chapter 24-29

CHAPTER 24 Silas gazed upward at the Saint-Sulpice obelisk, taking in the length of the massive marble shaft. His sinews felt taut with exhilaration. He glanced around the church one more time to make sure he was alone. Then he knelt at the base of the structure, not out of reverence, but out of necessity. The keystone is hidden beneath the Rose Line. At the base of the Sulpice obelisk. All the brothers had concurred. On his knees now, Silas ran his hands across the stone floor. He saw no cracks or markings to indicate a movable tile, so he began rapping softly with his knuckles on the floor. Following the brass line closer to the obelisk, he knocked on each tile adjacent to the brass line. Finally, one of them echoed strangely. There's a hollow area beneath the floor! Silas smiled. His victims had spoken the truth. Standing, he searched the sanctuary for something with which to break the floor tile. High above Silas, in the balcony, Sister Sandrine stifled a gasp. Her darkest fears had just been confirmed. This visitor was not who he seemed. The mysterious Opus Dei monk had come to Saint- Sulpice for another purpose. A secret purpose. You are not the only one with secrets, she thought. Sister Sandrine Bieil was more than the keeper of this church. She was a sentry. And tonight, the ancient wheels had been set in motion. The arrival of this stranger at the base of the obelisk was a signal from the brotherhood. It was a silent call of distress. CHAPTER 25 The U. S. Embassy in Paris is a compact complex on Avenue Gabriel, just north of the Champs-Elysees. The three-acre compound is considered U. S. soil, meaning all those who stand on it are subject to the same laws and protections as they would encounter standing in the United States. The embassy's night operator was reading Time magazine's International Edition when the sound of her phone interrupted. â€Å"U. S. Embassy,† she answered. â€Å"Good evening.† The caller spoke English accented with French. â€Å"I need some assistance.† Despite the politeness of the man's words, his tone sounded gruff and official. â€Å"I was told you had a phone message for me on your automated system. The name is Langdon. Unfortunately, I have forgotten my three-digit access code. If you could help me, I would be most grateful.† The operator paused, confused. â€Å"I'm sorry, sir. Your message must be quite old. That system was removed two years ago for security precautions. Moreover, all the access codes were five-digit. Who told you we had a message for you?† â€Å"You have no automated phone system?† â€Å"No, sir. Any message for you would be handwritten in our services department. What was your name again?† But the man had hung up. Bezu Fache felt dumbstruck as he paced the banks of the Seine. He was certain he had seen Langdon dial a local number, enter a three-digit code, and then listen to a recording. But if Langdon didn't phone the embassy, then who the hell did he call? It was at that moment, eyeing his cellular phone, that Fache realized the answers were in the palm of his hand. Langdon used my phone to place that call. Keying into the cell phone's menu, Fache pulled up the list of recently dialed numbers and found the call Langdon had placed. A Paris exchange, followed by the three-digit code 454. Redialing the phone number, Fache waited as the line began ringing. Finally a woman's voice answered. â€Å"Bonjour, vous etes bien chez Sophie Neveu,† the recording announced. â€Å"Je suis absente pour le moment, mais†¦Ã¢â‚¬  Fache's blood was boiling as he typed the numbers 4†¦ 5†¦ 4. CHAPTER 26 Despite her monumental reputation, the Mona Lisa was a mere thirty-one inches by twenty-one inches – smaller even than the posters of her sold in the Louvre gift shop. She hung on the northwest wall of the Salle des Etats behind a two-inch-thick pane of protective Plexiglas. Painted on a poplar wood panel, her ethereal, mist-filled atmosphere was attributed to Da Vinci's mastery of the sfumato style, in which forms appear to evaporate into one another. Since taking up residence in the Louvre, the Mona Lisa – or La Jaconde as they call her in France – had been stolen twice, most recently in 1911, when she disappeared from the Louvre's† satte impenetrable† – Le Salon Carre. Parisians wept in the streets and wrote newspaper articles begging the thieves for the painting's return. Two years later, the Mona Lisa was discovered hidden in the false bottom of a trunk in a Florence hotel room. Langdon, now having made it clear to Sophie that he had no intention of leaving, moved with her across the Salle des Etats. The Mona Lisa was still twenty yards ahead when Sophie turned on the black light, and the bluish crescent of penlight fanned out on the floor in front of them. She swung the beam back and forth across the floor like a minesweeper, searching for any hint of luminescent ink. Walking beside her, Langdon was already feeling the tingle of anticipation that accompanied his face-to-face reunions with great works of art. He strained to see beyond the cocoon of purplish light emanating from the black light in Sophie's hand. To the left, the room's octagonal viewing divan emerged, looking like a dark island on the empty sea of parquet. Langdon could now begin to see the panel of dark glass on the wall. Behind it, he knew, in the confines of her own private cell, hung the most celebrated painting in the world. The Mona Lisa's status as the most famous piece of art in the world, Langdon knew, had nothing to do with her enigmatic smile. Nor was it due to the mysterious interpretations attributed her by many art historians and conspiracy buffs. Quite simply, the Mona Lisa was famous because Leonardo Da Vinci claimed she was his finest accomplishment. He carried the painting with him whenever he traveled and, if asked why, would reply that he found it hard to part with his most sublime expression of female beauty. Even so, many art historians suspected Da Vinci's reverence for the Mona Lisa had nothing to do with its artistic mastery. In actuality, the painting was a surprisingly ordinary sfumato portrait. Da Vinci's veneration for this work, many claimed, stemmed from something far deeper: a hidden message in the layers of paint. The Mona Lisa was, in fact, one of the world's most documented inside jokes. The painting's well-documented collage of double entendres and playful allusions had been revealed in most art history tomes, and yet, incredibly, the public at large still considered her smile a great mystery. No mystery at all, Langdon thought, moving forward and watching as the faint outline of the painting began to take shape. No mystery at all. Most recently Langdon had shared the Mona Lisa's secret with a rather unlikely group – a dozen inmates at the Essex County Penitentiary. Langdon's jail seminar was part of a Harvard outreach program attempting to bring education into the prison system – Culture for Convicts, as Langdon's colleagues liked to call it. Standing at an overhead projector in a darkened penitentiary library, Langdon had shared the MonaLisa's secret with the prisoners attending class, men whom he found surprisingly engaged – rough, but sharp. â€Å"You may notice,† Langdon told them, walking up to the projected image of the MonaLisa on the library wall,† that the background behind her face is uneven.† Langdon motioned to the glaring discrepancy. â€Å"Da Vinci painted the horizon line on the left significantly lower than the right.† â€Å"He screwed it up?† one of the inmates asked. Langdon chuckled. â€Å"No. Da Vinci didn't do that too often. Actually, this is a little trick Da Vinci played. By lowering the countryside on the left, Da Vinci made Mona Lisa look much larger from the left side than from the right side. A little Da Vinci inside joke. Historically, the concepts of male and female have assigned sides – left is female, and right is male. Because Da Vinci was a big fan of feminine principles, he made Mona Lisa look more majestic from the left than the right.† â€Å"I heard he was a fag,† said a small man with a goatee. Langdon winced. â€Å"Historians don't generally put it quite that way, but yes, Da Vinci was a homosexual.† â€Å"Is that why he was into that whole feminine thing?† â€Å"Actually, Da Vinci was in tune with the balance between male and female. He believed that a human soul could not be enlightened unless it had both male and female elements.† â€Å"You mean like chicks with dicks?† someone called. This elicited a hearty round of laughs. Langdon considered offering an etymological sidebar about the word hermaphrodite and its ties to Hermes and Aphrodite, but something told him it would be lost on this crowd. â€Å"Hey, Mr. Langford,† a muscle-bound man said. â€Å"Is it true that the Mona Lisa is a picture of Da Vinci in drag? I heard that was true.† â€Å"It's quite possible,† Langdon said. â€Å"Da Vinci was a prankster, and computerized analysis of the Mona Lisa and Da Vinci's self-portraits confirm some startling points of congruency in their faces. Whatever Da Vinci was up to,† Langdon said,† his Mona Lisa is neither male nor female. It carries a subtle message of androgyny. It is a fusing of both.† â€Å"You sure that's not just some Harvard bullshit way of saying Mona Lisa is one ugly chick.† Now Langdon laughed. â€Å"You may be right. But actually Da Vinci left a big clue that the painting was supposed to be androgynous. Has anyone here ever heard of an Egyptian god named Amon?† â€Å"Hell yes!† the big guy said. â€Å"God of masculine fertility!† Langdon was stunned. â€Å"It says so on every box of Amon condoms.† The muscular man gave a wide grin. â€Å"It's got a guy with a ram's head on the front and says he's the Egyptian god of fertility.† Langdon was not familiar with the brand name, but he was glad to hear the prophylactic manufacturers had gotten their hieroglyphs right. â€Å"Well done. Amon is indeed represented as a man with a ram's head, and his promiscuity and curved horns are related to our modern sexual slang' horny. â€Å"No shit!† â€Å"No shit,† Langdon said. â€Å"And do you know who Amon's counterpart was? The Egyptian goddessof fertility?† The question met with several seconds of silence. â€Å"It was Isis,† Langdon told them, grabbing a grease pen. â€Å"So we have the male god, Amon.† He wrote it down. â€Å"And the female goddess, Isis, whose ancient pictogram was once called L'ISA.† Langdon finished writing and stepped back from the projector. AMON L'ISA â€Å"Ring any bells?† he asked. â€Å"Mona Lisa†¦ holy crap,† somebody gasped. Langdon nodded. â€Å"Gentlemen, not only does the face of Mona Lisa look androgynous, but her name is an anagram of the divine union of male and female. And that, my friends, is Da Vinci's little secret, and the reason for Mona Lisa's knowing smile.† â€Å"My grandfather was here,† Sophie said, dropping suddenly to her knees, now only ten feet from the Mona Lisa.She pointed the black light tentatively to a spot on the parquet floor. At first Langdon saw nothing. Then, as he knelt beside her, he saw a tiny droplet of dried liquid that was luminescing. Ink? Suddenly he recalled what black lights were actually used for. Blood. His senses tingled. Sophie was right. Jacques Sauniere had indeed paid a visit to the Mona Lisabefore he died. â€Å"He wouldn't have come here without a reason,† Sophie whispered, standing up. â€Å"I know he left a message for me here.† Quickly striding the final few steps to the Mona Lisa, she illuminated the floor directly in front of the painting. She waved the light back and forth across the bare parquet. â€Å"There's nothing here!† At that moment, Langdon saw a faint purple glimmer on the protective glass before the Mona Lisa. Reaching down, he took Sophie's wrist and slowly moved the light up to the painting itself. They both froze. On the glass, six words glowed in purple, scrawled directly across the Mona Lisa's face. CHAPTER 27 Seated at Sauniere's desk, Lieutenant Collet pressed the phone to his ear in disbelief. Did I hearFache correctly?† A bar of soap? But how could Langdon have known about the GPS dot?† â€Å"Sophie Neveu,† Fache replied. â€Å"She told him.† â€Å"What! Why?† â€Å"Damned good question, but I just heard a recording that confirms she tipped him off.† Collet was speechless. What was Neveu thinking? Fache had proof that Sophie had interfered with a DCPJ sting operation? Sophie Neveu was not only going to be fired, she was also going to jail. â€Å"But, Captain†¦ then where is Langdon now?† â€Å"Have any fire alarms gone off there?† â€Å"No, sir.† â€Å"And no one has come out under the Grand Gallery gate?† â€Å"No. We've got a Louvre security officer on the gate. Just as you requested.† â€Å"Okay, Langdon must still be inside the Grand Gallery.† â€Å"Inside? But what is he doing?† â€Å"Is the Louvre security guard armed?† â€Å"Yes, sir. He's a senior warden.† â€Å"Send him in,† Fache commanded. â€Å"I can't get my men back to the perimeter for a few minutes, and I don't want Langdon breaking for an exit.† Fache paused. â€Å"And you'd better tell the guard Agent Neveu is probably in there with him.† â€Å"Agent Neveu left, I thought.† â€Å"Did you actually see her leave?† â€Å"No, sir, but – â€Å"Well, nobody on the perimeter saw her leave either. They only saw her go in.† Collet was flabbergasted by Sophie Neveu's bravado. She's still inside the building? â€Å"Handle it,† Fache ordered. â€Å"I want Langdon and Neveu at gunpoint by the time I get back.† As the Trailor truck drove off, Captain Fache rounded up his men. Robert Langdon had proven an elusive quarry tonight, and with Agent Neveu now helping him, he might be far harder to corner than expected. Fache decided not to take any chances. Hedging his bets, he ordered half of his men back to the Louvre perimeter. The other half he sent to guard the only location in Paris where Robert Langdon could find safe harbor. CHAPTER 28 Inside the Salle des Etats, Langdon stared in astonishment at the six words glowing on the Plexiglas. The text seemed to hover in space, casting a jagged shadow across Mona Lisa's mysterious smile. â€Å"The Priory,† Langdon whispered. â€Å"This proves your grandfather was a member!† Sophie looked at him in confusion. â€Å"You understand this?† â€Å"It's flawless,† Langdon said, nodding as his thoughts churned. â€Å"It's a proclamation of one of the Priory's most fundamental philosophies!† Sophie looked baffled in the glow of the message scrawled across the Mona Lisa's face. SO DARK THE CON OF MAN â€Å"Sophie,† Langdon said,† the Priory's tradition of perpetuating goddess worship is based on a belief that powerful men in the early Christian church ‘conned' the world by propagating lies that devalued the female and tipped the scales in favor of the masculine.† Sophie remained silent, staring at the words.† The Priory believes that Constantine and his male successors successfully converted the world from matriarchal paganism to patriarchal Christianity by waging a campaign of propaganda that demonized the sacred feminine, obliterating the goddess from modern religion forever.† Sophie's expression remained uncertain. â€Å"My grandfather sent me to this spot to find this. He must be trying to tell me more than that.† Langdon understood her meaning. She thinks this is another code.Whether a hidden meaning existed here or not, Langdon could not immediately say. His mind was still grappling with the bold clarity of Sauniere's outward message. So dark the con of man, he thought. So dark indeed. Nobody could deny the enormous good the modern Church did in today's troubled world, and yet the Church had a deceitful and violent history. Their brutal crusade to† reeducate† the pagan and feminine-worshipping religions spanned three centuries, employing methods as inspired as they were horrific. The Catholic Inquisition published the book that arguably could be called the most blood-soaked publication in human history. Malleus Maleficarum – or The Witches' Hammer – indoctrinated the world to† the dangers of freethinking women† and instructed the clergy how to locate, torture, and destroy them. Those deemed† witches† by the Church included all female scholars, priestesses, gypsies, mystics, nature lovers, herb gatherers, and any women† suspiciously attuned to the natural world.† Midwives also were killed for their heretical practice of using medical knowledge to ease the pain of childbirth – a suffering, the Church claimed, that was God's rightful punishment for Eve's partaking of the Apple of Knowledge, thus giving birth to the idea of Original Sin. During three hundred years of witch hunts, the Church burned at the stake an astounding five million women. The propaganda and bloodshed had worked. Today's world was living proof. Women, once celebrated as an essential half of spiritual enlightenment, had been banished from the temples of the world. There were no female Orthodox rabbis, Catholic priests, nor Islamic clerics. The once hallowed act of Hieros Gamos – the natural sexual union between man and woman through which each became spiritually whole – had been recast as a shameful act. Holy men who had once required sexual union with their female counterparts to commune with God now feared their natural sexual urges as the work of the devil, collaborating with his favorite accomplice†¦ woman. Not even the feminine association with the left-hand side could escape the Church's defamation. In France and Italy, the words for† left† – gauche and sinistra – came to have deeply negative overtones, while their right-hand counterparts rang of righteousness, dexterity, and correctness. To this day, radical thought was considered left wing, irrational thought was left brain, and anything evil, sinister. The days of the goddess were over. The pendulum had swung. Mother Earth had become a man's world, and the gods of destruction and war were taking their toll. The male ego had spent two millennia running unchecked by its female counterpart. The Priory of Sion believed that it was this obliteration of the sacred feminine in modern life that had caused what the Hopi Native Americans called koyanisquatsi – â€Å"life out of balance† – an unstable situation marked by testosterone-fueled wars, a plethora of misogynistic societies, and a growing disrespect for Mother Earth. â€Å"Robert!† Sophie said, her whisper yanking him back. â€Å"Someone's coming!† He heard the approaching footsteps out in the hallway.† Over here!† Sophie extinguished the black light and seemed to evaporate before Langdon's eyes. For an instant he felt totally blind. Over where! As his vision cleared he saw Sophie's silhouette racing toward the center of the room and ducking out of sight behind the octagonal viewing bench. He was about to dash after her when a booming voice stopped him cold. â€Å"Arretez!† a man commanded from the doorway. The Louvre security agent advanced through the entrance to the Salle des Etats, his pistol outstretched, taking deadly aim at Langdon's chest. Langdon felt his arms raise instinctively for the ceiling. â€Å"Couchez-vous!† the guard commanded. â€Å"Lie down!† Langdon was face first on the floor in a matter of seconds. The guard hurried over and kicked his legs apart, spreading Langdon out. â€Å"Mauvaise idee, Monsieur Langdon,†he said, pressing the gun hard into Langdon's back.† Mauvaise idee.† Face down on the parquet floor with his arms and legs spread wide, Langdon found little humor in the irony of his position. The Vitruvian Man, he thought. Face down. CHAPTER 29 Inside Saint-Sulpice, Silas carried the heavy iron votive candle holder from the altar back toward the obelisk. The shaft would do nicely as a battering ram. Eyeing the gray marble panel that covered the apparent hollow in the floor, he realized he could not possibly shatter the covering without making considerable noise. Iron on marble. It would echo off the vaulted ceilings. Would the nun hear him? She should be asleep by now. Even so, it was a chance Silas preferred not to take. Looking around for a cloth to wrap around the tip of the iron pole, he saw nothing except the altar's linen mantle, which he refused to defile. My cloak, he thought. Knowing he was alone in the great church, Silas untied his cloak and slipped it off his body. As he removed it, he felt a sting as the wool fibers stuck to the fresh wounds on his back. Naked now, except for his loin swaddle, Silas wrapped his cloak over the end of the iron rod. Then, aiming at the center of the floor tile, he drove the tip into it. A muffled thud. The stone did not break. He drove the pole into it again. Again a dull thud, but this time accompanied by a crack. On the third swing, the covering finally shattered, and stone shards fell into a hollow area beneath the floor. A compartment! Quickly pulling the remaining pieces from the opening, Silas gazed into the void. His blood pounded as he knelt down before it. Raising his pale bare arm, he reached inside. At first he felt nothing. The floor of the compartment was bare, smooth stone. Then, feeling deeper, reaching his arm in under the Rose Line, he touched something! A thick stone tablet. Getting his fingers around the edge, he gripped it and gently lifted the tablet out. As he stood and examined his find, he realized he was holding a rough-hewn stone slab with engraved words. He felt for an instant like a modern-day Moses. As Silas read the words on the tablet, he felt surprise. He had expected the keystone to be a map, or a complex series of directions, perhaps even encoded. The keystone, however, bore the simplest of inscriptions. Job 38:11 A Bible verse? Silas was stunned with the devilish simplicity. The secret location of that which they sought was revealed in a Bible verse? The brotherhood stopped at nothing to mock the righteous! Job. Chapter thirty-eight. Verse eleven. Although Silas did not recall the exact contents of verse eleven by heart, he knew the Book of Job told the story of a man whose faith in God survived repeated tests. Appropriate, he thought, barely able to contain his excitement. Looking over his shoulder, he gazed down the shimmering Rose Line and couldn't help but smile. There atop the main altar, propped open on a gilded book stand, sat an enormous leather-bound Bible. Up in the balcony, Sister Sandrine was shaking. Moments ago, she had been about to flee and carryout her orders, when the man below suddenly removed his cloak. When she saw his alabaster-white flesh, she was overcome with a horrified bewilderment. His broad, pale back was soaked with blood-red slashes. Even from here she could see the wounds were fresh. This man has been mercilessly whipped! She also saw the bloody cilice around his thigh, the wound beneath it dripping. What kind of God would want a body punished this way? The rituals of Opus Dei, Sister Sandrine knew, were not something she would ever understand. But that was hardly her concern at this instant. Opus Dei is searching for the keystone.How they knew of it, Sister Sandrine could not imagine, although she knew she did not have time to think. The bloody monk was now quietly donning his cloak again, clutching his prize as he moved toward the altar, toward the Bible. In breathless silence, Sister Sandrine left the balcony and raced down the hall to her quarters. Getting on her hands and knees, she reached beneath her wooden bed frame and retrieved the sealed envelope she had hidden there years ago. Tearing it open, she found four Paris phone numbers. Trembling, she began to dial. Downstairs, Silas laid the stone tablet on the altar and turned his eager hands to the leather Bible. His long white fingers were sweating now as he turned the pages. Flipping through the Old Testament, he found the Book of Job. He located chapter thirty-eight. As he ran his finger down the column of text, he anticipated the words he was about to read. They will lead the way! Finding verse number eleven, Silas read the text. It was only seven words. Confused, he read it again, sensing something had gone terribly wrong. The verse simply read: HITHERTO SHALT THOU COME, BUT NO FURTHER.

The Marriage Proposal By A Russian Writer Anton Chekhov...

The two dramas that describes a humorous and serious drama is The Marriage Proposal is a play written by a Russian writer Anton Chekhov and The Rising Of The Moon by Isabella Augusta Persse. Both of these dramas was very interesting and kept the reader interested throughout the play. Both plays effectively use the setting, themes and characterization to achieve a good storyline. The Marriage Proposal s setting in this play takes place in the reception room at Tschubukov’s country home in the 1800 s. There are three characters involved in this text play. Stepan Stepanovitch Tschubukov (Natalia’s father), Natalia Stepanova (Stepan’s daughter), and Ivan Vassiliyitch Lomov (Stepan’s neighbor who falls for Natalia). The main character, Ivan Vassilevitch Lomov, is in his mid-thirties, prone to anxiety, and stubbornness. These flaws are highlighted throughout the play when he becomes a nervous wreck when he attempts to propose to Natalia. Stephan Tschubukov is Natalia s father and owns a piece of land next to Ivan s land that soon becomes a conflict between the two. Natalia Stepanova can be welcoming, yet stubborn, proud and possessive, just like her other male characters in this three person play. Ivan arrives at the home of the Chubukov family, Stephan assumes that the well dressed man has come to borrow money. Instead, Ivan asks for his daughter s hand in marriage. Stepan admires ivans question and with ease gives him his blessing. Stephan declared that he already

Havisham Essay - 935 Words

Havisham essay. ‘Miss Havisham’ is a bitter and twisted character from the novel ‘Great Expectations’ by Charles Dickens. Carol Ann Duffy takes this character and explores her tragic life in the poem ‘Havisham’. Duffy uses Dark themes, structure, symbolism and other poetic techniques to express Havisham’s hatred for men after her tragic wedding when she was rejected by her fiancà ©. Duffy’s use of these poetic techniques create a sinister character and makes Havisham feel real to the reader. To begin the poem Duffy uses a shocking short sentence, which contains contrasting word choice to convey an ironic tone from Havisham. The contradictory oxymoron also startles the reader and grasps our attention as we do not expect this beginning.†¦show more content†¦She even begins to make animalistic screams which are symbolic of darkness and death. ‘cawing nooooo’ this neologism of ‘no’ suggests an animalistic persona where her sense of language has broken down to a series of noises which highlight her extreme mental decay. This also suggests her self-pity but makes the reader feel sympathy for the narrator as she desperately screams at the wall showing how lost and pathetic she has become over time. The ‘cawing’ is also symbolic of death and darkness as it is resembling a crow which the reader links with death, darkness and the devil. This combination of neologism and symbolism creates a sinister mood. Duffy’s use of neologi sm to emphasis Havisham’s mental decay makes her feel real to the reader and her animalistic person adds to her sinister character. Duffy goes on to show Havisham’s layers of feelings as she expresses her exterior feelings of hatred, anger and revenge which contrast with her true feelings of love for her past lover. It is the rejection from her lover which sends her into this downward spiral which eventually results in her feelings of hatred for all men and desperate want for revenge. ‘love’s hate behind a white veil’ This oxymoron places love and hate side by side and conceals both emotions behind a symbolic white bridal veil, which is ironically white and contrasts with herShow MoreRelatedComparison of Miss Havisham and Lady Macbeth Essay1347 Words   |  6 Pagessurroundings are not only physical, but also psychological; found in their relationships and trauma from past events. Although both women are presented in different forms Lady Macbeth is also strongly influenced by her physical surroundings. Like Miss Havisham, her home is metaphorical of her characteristics. She lives in a great castle from which we never see her leave. Like the castle she first comes across as strong, powerful and intimidating with strong walls, yet we later see these crumble and leaveRead More The Vengeful Miss Havisham - Great Expectations Essay867 Words   |  4 PagesThe Vengeful Miss Havisham - Great Expectations. In Great Expectations, by Charles Dickens, Miss Havisham is a complex character whose past remains a mystery. We know about her broken engagement, an event that changes her life forever. Miss Havisham desperately wants revenge, and Estella, her adopted daughter, is the perfect tool to carry out her motives. With her plan of revenge in mind, Miss Havisham deliberately raises Estella to avoid emotional attachment and treat those who love herRead MoreMiss Havisham and Magwitch from Great Expectations Essay1035 Words   |  5 Pagesrelationship between character and location in the case of Magwitch and the marshes; Miss Havisham and Satis House (chapters 1-19) Both the characters Miss Havisham and Magwitch are linked closely with their respective surroundings, as Dickens employs imagery and pathetic fallacy to illustrate this. Although many characters in Great Expectations reflect their environments, the relationship of Miss Havisham and Magwitch offer a particular contrast. The novel echoes many of Dickens’s own lifeRead MoreEssay about In Great Expectations, Is Miss Havisham crazy and/or evil?1327 Words   |  6 PagesIn Great Expectations, Is Miss Havisham crazy and/or evil? The mad,eccentric and incredibly peculiar Miss Havisham,a wealthy dowager who lives in an old, rotting mansion secluded from the outside world is certainly one of the most memorable creations in the book Great Expectations written by Charles Dickens. From the first introductory scene on encountering Miss Havisham’s character it is immediately clear that she is supposed to leave a lasting impression on the reader. Dickens usesRead MoreHavisham by Carol Ann Duffy Essay1257 Words   |  6 PagesIn Havisham, Carol Ann Duffy creates an interesting character. Write about the way the character is created, and compare this with the way other characters are created in three other poems. You should compare it with one poem by Simon Armitage and two poems from the pre-1912 poetry bank. In Havisham, Carol Ann Duffy explores the character of Mrs Havisham and develops her by using vivid imagery and metaphors. She starts the poem with ‘Beloved sweetheart bastard’ which is an oxymoron, used to displayRead MoreEssay on Miss Havisham in Great Expectations2451 Words   |  10 Pages   In Great Expectations, Dickens depicts an eccentric character in Miss Havisham. The unmarried Miss Havisham seems to both conform to and deny the societal standards of unmarried women in the Victorian Age. Spinsters and old maids display particular attitudes and hold certain functions in the society. Miss Havishams character shows how one woman can both defy and strengthen these characteristics. She, along with several other female characters in the novel, supports the fact that unmarriedRead MoreCreating Tension Through the Presentation of Magwitch and Miss Havisham in Great Expectations1182 Words   |  5 PagesHow does Dickens create tension through his presentation of Magwitch and Miss Havisham in Great Expectations? Introduction ============ Great Expectations is about a young boy, Pip, who lives in a deprived town with his sister (Mrs Joe) and her husband (Mr Joe). Pip meets a fugitive, Magwitch and after meeting with this runaway he fears from his life. Pip is then summoned to go and play at Miss Havisham’s house. He then falls in love with Estella who chooses to ignore Pip, which makesRead MoreCharles Dickens Great Expectations964 Words   |  4 PagesMoynahan’s next main point in the essay, regarding Pip’s psychology causing Miss Havisham’s death, is arguable. Moynahan points out that Pip experiences nothing but unhappiness when he visits Satis House and Miss Havisham. Moynahan continues that Pip’s visions of Miss Havisham dying, from both his childhood and adulthood, indicate that he causes Miss Havisham’s accident, â€Å"Pip’s†¦recurrent hallucination, suggests an analogy between that part of Pip which wants Miss Havisham at least punished, at most removedRead MoreEssay about Love and Hate in the Poems Havisham and The Laboratory676 Words   |  3 PagesThe poems Havisham and The Laboratory teach us that love and hatred are two of the most powerful yet contrasting emotions in this world. In both the poems they are loving to hate and hating to love. This means that when love is given it leaves us vuln erable , and if the love is not returned then it can turn to hate as quick as boiling water to steam. For both women in the poem have been rejected from their men mentally and physically, leaving them nothing but pain and the overwhelming desireRead MoreAnalysis Of The Book Great Expectations 1438 Words   |  6 PagesLetter Essay, Great Expectations By Leona Markose One of the books I have recently read is Great Expectations by Charles Dickens. It introduces the reader a rather unique approach into the subject of social class. Throughout the book, Pip, the main character is faced with many challenges that shape him into who he is. We first meet Pip on Christmas eve around the 1800s. While out